Mirus Gallery Los Angeles presents ENCORE three concurrent exhibitions featuring Bond Truluv, Fernando Chamerelli, and RETRANSMISSION
August 13-31, 2022
About the Exhibits:
Bond Truluv: Access Granted
Berlin based Bond Truluv is an artist at the forefront of combining Augmented Reality with analog artworks. Whether he is inventing a new instrument for a spray can or hiding NFCs in his artworks, Bond Truluv is constantly incorporating new technologies to his repertoire. This exhibition features a variety of multi-media artworks composed of architecture, symbols of technology, and graffiti animated by augmented reality.
“The current aesthetic of my work plays with classical as well as digital motifs alike, aiming to build free chains of associations without becoming too concrete. Resembling the transience of a dream, I try to invite the viewers to embark on an abstract journey through their own subconsciousness, blurring the boundaries between reality and fiction, the analog and the digital world.” – Bond Truluv
Fernando Chamerelli: Interconnection
Fernando Chamarelli is a visual artist from Brazil whose bright colorful style unties time where elements from different cultures mix, past, present and future merge. INTERCONNECTION is an invitation to realize that we are connected to a network that goes beyond what we can see. For this, Fernando Chamerelli creates illustrative paintings focusing on themes of multiple universes, internal worlds, and the play between light and dark matter.
Retransmission: A Survey of Polish Artists
RETRANSMISSION__ is currently one of the largest and most interesting presentations of Polish non-figurative painting outside of the country (Poland). What draws particular attention is the wide spectrum of artists invited to the exhibition, who in no way constitute a hermetic circle focused on the phenomenon of urban art or post-graffiti. This group consists of painters, sketchers, muralists, graphic designers, sculptors and typographers. Thanks to this, RETRANSMISSION__ is not a simple show or an exhibition reduced to a presentation of works of art whose common denominator tends to be the street. It is an exhibition which constitutes a story about individual styles, the processes of their formation and sometimes even of reducing complex, strongly contextualised forms to geometrical, typographical or compositional figures.
The exhibition as a whole, can also be seen as a sui generis generational manifesto of artists born in the 1980s; artists brought up in a country already free from socialism, shaped by the same cultural codes that were successfully exploited in the United States or Western Europe. Therefore, what may be even more interesting to the viewer is perceiving RETRANSMISSION__ as a reinterpretation of the world common to all of us, but presented from the distant perspective of Poland . - Cezary Hunkiewicz, Brain Damage Gallery, Poland
Featuring: Bartłomiej Chwilczyński, Bartosz Janczak, Chazme, Lukasz Berger (Cekas), Lukasz Habiera (Nawer), Oskar Podolski (Oesu 1), Pawel Ryzko, Bartek Świątecki (Pener), Robert Proch, Seikon
Also on display, artwork from the Sense 4.0 Art Fair
October 7 - December 2, 2022
Mirus Gallery is pleased to present FAULT_TOLERANCE, a solo exhibition by artist Łukasz Habiera Nawer. FAULT_TOLERANCE opens October 7th, with an opening reception from 7-10 pm. The exhibition is free and open to the public for viewing through December 9th.
About the Exhibition:
Armed with his arsenal of spray paints and a steady hand, Nawer makes a return to the US in his newest solo exhibition, FAULT_TOLERANCE hosted by Mirus Gallery San Francisco. Whether it's installing multimedia installations, massive murals, or in the studio working on canvases, Nawer has been doing it all. FAULT_TOLERANCE will be the newest installation on his record, showcasing all of the skills and evolutions of his style leading up to the present. Featuring his clean lines work and 2 dimensional shapes and angles to create the illusion of 3d elements, the Polish artist delivers sharp and precise pieces. Nawer has explored many alternative designs, from pixelated abstractions, to hand-made analog glitches, to his origins in painting the 3D world around him. The works have their own code, coloring and rhythm. FAULT_TOLERANCE features an assemblage of sharp geometric lines and vibrant abstract expressions to produce a bright and futuristic aesthetic. A collection of vibrant colors, such as blue, orange, and purple, decorates the canvases as Nawer’s signature geometric styling and abstract expressions resembles images of light refraction and color exposure.
About the Artist:
Architect, designer, street artist, graduate of Architecture and Urbanism program in Krakow. Nawer has been involved with street art since the mid 90's. In 2003, he began to devote time between painting and freelancing in interior design. His creativity stems toward isometric graphics as extant of public and functional spaces. Interior spatiality is described as a blend of objects within space, while painting by perspective and axonometry using aerosol as a main medium. The combination of these two approaches allows a fresh take on the design of arrangement and creativity of an interior space. As his own style evolves, the goal is to always strive forward in an effort to connect painting with architecture.
October 14th, 2022 - January 6th, 2023
Mirus Gallery presents "Postalgia" a solo exhibition by the Low Bros.
On display : October 14, 2022 - January 6th, 2023
Opening reception: Friday October 14, 7-10pm
About the Exhibition: POSTALGIA, is the appropriated term and title for the new series of works by the artist‘s duo Low Bros. Addressing both the longing for the past, nostalgia, fused with the post, the abandonment of the present. POSTALGIA confronts the notion that when tomorrow comes it should emulate the past. Taking everyday objects that hold a potency and personal nostalgia to Low Bros and inserting them into a dystopian landscape, subject to a physical alteration due to the environment they sit in a state dissolving, bleached, in decay, or corrosion. The arid landscapes illude to a possible future familiar. Inviting one to imagine an ambiguous landscape which simultaneously could be the downfall for humanity, with the advent of global warming and the impending droughts or seen as a triumph for humanity, placed upon an as of yet unpopulated Mars, both seemingly and immanently possible. The images and objects are themselves placed in juxtaposition holding suggestions of longing for control with contrived social warning clearly marked out by plastic A-frames and orange white barriers.
Low Bros reflect upon what is essential and at the crux of human existence. If we are just accustomed to a level of certainty and the habitual which is manifested through the objects and signifiers that we shroud ourselves in, how much do we impede our possibility for progress? Certain belief systems are entrenched, but social progress is not made possible without reevaluation of the assumed. In the current social-economic-ecological climate that we are facing, how do we not succumb to living in POSTALGIA ideals without impeding development? – Text by Michelle Houston
About the Artists: With one of the most unique aesthetics in Contemporary Street Art; Retro Futuristic duo The Low Bros are made up of Berlin based brothers Christoph and Florin Schmidt. Together, they examine the contradictions associated with identity in a digital age.
Whether looking forward or back, it is the ambivalence of contemporary life, the conflicts of progress and traditionalism which hold at the centre of their creative direction. The Low Bros suggest our generation as being one of fluidity; able to slip in and out of different roles like characters. These avatars assume the guise of animals inside of the Low Bro universe; an allusion to the primal instincts of humans nature. Contrastingly their forms resemble inorganic architectural structures, a nod of the urban surroundings of city dwelling people. Despite the abstract nature of their meticulous painterly approach, we recognise the emotional states of loneliness/isolation, strength/bravado inside of their surreal worlds.
Their unmistakable style is sharp and vivid, with light and shadow heightening the atmospheric ambiguity so often associated with their work. From minimalism to intricate coded imagery, a clear influence of design and illustration is inherent as structures appear as precise as they are complex. Nostalgia of a-time-gone-by features through the presence of objects belonging to their childhood and youth in the 80’s and 90’s. From the streets through to galleries worldwide; the Low Bro aesthetic has evolved from a deeply personal subcultural past, to the collective cultural identity of an evermore metaphysical present.